MaXXXine: Not a Remarkable Ending

MaXXXine marks the final chapter of Ti West’s trilogy, following the well-received *X* and Pearl, and while it showcases the director’s knack for stylistic flair and clever satire, it ultimately struggles to stand out on its own. This film, set in the neon-lit decadence of 1985, follows Maxine Minx, played by Mia Goth, as she navigates the treacherous waters of Hollywood while grappling with the legacy of her past. While MaXXXine offers plenty of entertaining moments and visually stunning sequences, it often falters under the weight of its influences.

West’s intent with MaXXXine is to parody giallo and exploitation films of the late 70s, alongside the infamous video nasties of the 80s. This ambitious premise has the potential to yield a layered commentary on the genre, but the execution often feels uneven. While the film is a visual treat, capturing the vibrant aesthetics of mid-80s Los Angeles with its bold colors and grainy textures reminiscent of VHS tapes, the narrative itself tends to lean too heavily on clichés rather than providing fresh commentary or innovative storytelling.

Mia Goth’s performance as Maxine remains the standout aspect of the film. She embodies a complex character driven by an unyielding desire for fame and recognition. Goth brings a magnetic energy to her role, and even in the film's weaker moments, she keeps the audience engaged with her formidable presence. Kevin Bacon adds to the film's charm with his portrayal of a sleazy private investigator, providing moments of levity and intrigue. Jenna Ortega also shines in her role, contributing to the film's strong performances.

The film’s opening visuals and atmosphere immediately draw viewers into the world of excess and ambition. The cinematography, executed by Eliot Rockett, is exceptional, weaving in elements of nostalgia that resonate with fans of the era. The production design and costume choices immerse viewers in the opulence of the 80s, effectively creating a vivid backdrop for the unfolding drama. The score, featuring synth-heavy tracks, complements the aesthetic and evokes a sense of suspense and excitement.

However, the narrative leaves much to be desired. Unlike its predecessors, which expertly blended humor with depth, MaXXXine sometimes feels like a hollow imitation of the films it seeks to honor. The supporting characters lack development, often falling into archetypal roles that don’t evolve or resonate throughout the film. This lack of investment in secondary characters makes their fates feel inconsequential, detracting from the overall impact of the story.

The film’s pacing also suffers, particularly in its first act, where the build-up can feel drawn-out. While some tension is created during this time, it often leads to a sense of impatience among viewers eager for the horror elements to surface. When the bloodshed finally arrives, it is certainly memorable, with a climactic final act that delivers on the promise of gore and intensity. However, the execution of this climax, complete with a predictable twist regarding the villain’s identity, feels somewhat anticlimactic after such a lengthy setup.

Despite these shortcomings, MaXXXine does contain moments of brilliance, particularly in its exploration of themes surrounding sex and the pursuit of fame. The film delves into the complexities of its characters' motivations, providing a nuanced commentary on the lengths one might go to in the quest for stardom. The portrayal of the villains adds depth, highlighting their tragic flaws and providing a sense of empathy that elevates the story beyond mere shock value.

In summary, while MaXXXine presents an enjoyable viewing experience with strong performances and striking visuals, it ultimately falls short of the cohesive brilliance found in X and Pearl. Ti West’s latest installment, while entertaining and occasionally clever, often teeters on the edge of cliché and predictability. It’s a film that, while deserving of attention, doesn’t quite reach the heights of its predecessors.