Fresh: A Horror from 2022

Fresh is a refreshingly unpredictable and delightfully twisted debut from director Mimi Cave, and it’s a wild ride that defies genre conventions. Centered around modern dating, the film takes us into the unsettling world of Noa, played by Daisy Edgar-Jones, who finds herself caught up with the charming yet sinister doctor, Steve, portrayed by Sebastian Stan. The chemistry between the two is electric, making their relationship captivating from the start.

Going in with as little knowledge as possible is key to enjoying *Fresh*, as it takes a sharp turn into dark territory after a seemingly innocent first half. It’s a bloody, unapologetic horror film from the Disney catalog that lulls you into a false sense of security before revealing its true nature. The first 30 minutes are sweet and engaging, setting up Noa and Steve's budding romance, but once the credits roll, the film takes you on a shocking and absurd journey that will have you gasping, laughing, and questioning everything you thought you knew about modern dating.

What sets Fresh apart is how it navigates important themes without beating you over the head with them. Cave and screenwriter Lauryn Kahn have crafted a genre mash-up that seamlessly blends romance, comedy, horror, and thriller elements. This dynamic pairing allows Sebastian Stan to showcase his versatility in indie films while giving Daisy Edgar-Jones a breakout role that could elevate her status in Hollywood. After her standout performance here, she’s poised to become a major star.

Edgar-Jones shines as Noa, effortlessly transitioning from vulnerable to empowered. Her character’s arc is compelling, making her a relatable protagonist even in the film's most grotesque moments. Some may find the subject matter hard to stomach, but her performance is magnetic and will likely draw in even those who typically shy away from horror.

Mimi Cave’s direction is impressive for a debut, as she balances discomfort with entertainment. While some of her techniques may feel familiar within the horror genre, they’re executed with a fresh perspective. The film does have its flaws—certain characters feel underdeveloped and the pacing sometimes drags, leading to an abrupt conclusion. Yet, the strong performances and Cave’s directorial vision keep it engaging throughout.

In the end, Fresh is a bold statement in Edgar-Jones's rising star power. It’s a film that challenges the conventions of romantic comedies and horror, creating something uniquely unsettling. While it may not be perfect—running a bit long and losing steam in places—it’s still a solid watch that promises to gain a cult following in the years to come.